Please Download the Latest Flash Player To to View This Video.
Please JOIN HD Expo as a MEMBER to view the remaining clips in this series
Part D - 05:25
Ted Schilowitz of RED discusses the film Hybrid
Michael Cioni of PlasterCITY Digital Post discusses the post on Hybrid
Michael Cioni talks about the dynamic range of the RED
Ted Schilowitz of RED talks about the workflow on the TV show Leverage
Part E - 05:29
Ted Schilowitz talks about the shooting style of Leverage
Ted Schilowitz discusses different editing workflows
Part F - 08:41
Michael Cioni relates the workflow for the music video for Saving Abel
Lucas Wilson of Assimilate discusses Scratch and metadata
Ted Schilowitz warns against overexposing the image
Lucas Wilson talks about the finishing learning curves with RED post
Shooting RED and using Scratch versus film and a telecine
Workflow education is very important
Part G - 04:28
Dino Georgopoulos talks about camera features that help you get the best exposure
Making ProRes files onset
Jeffrey Seckendorf relates his epiphany while shooting Need for Speed - he was shooting the DI
You gotta do tests and prepare - it is not a magic pill
Part H - 06:53
Lucas Wilson talks about Steven Soderbergh's DI workflow for the The Argentine and Guerrilla
Q&A from online viewers:
If my delivery is SD DVD, Blu-ray, and web, is there any reason not to shoot in 4K HD mode?
Do I need to switch to Mac to edit RED footage?
Q&A from the live audience:
What is happening Scarlet and Epic?
How may units are ordered and shipped?
Dino, how much does your rig weigh?
How does back focus work? Is it like HD?
